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Artists, Art Genre, & Famous Works Of Art term papers research papers


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Papers On Artists, Art Genre, & Famous Works Of Art
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Appropriation, Simulation and David Carson
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This 5 page paper discusses the art techniques of appropriation and simulation, and argues that David Carson's work is too original to be considered as conforming to the postmodern theory that defines them. Bibliography lists 4 sources
Filename: HVCarson.rtf
Paper Title: Appropriation, Simulation and David Carson

Archaeology, Authenticity, and Aesthetics of Douris’s Dionysiac Scenes, “Dancing Satyrs and Maenads” Cup (Kylix)
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A 10 page paper which identifies and examines the object, describes its detail, and assesses its value and authenticity. Bibliography lists 5 sources.
Filename: TGdouris.rtf
Paper Title: Archaeology, Authenticity, and Aesthetics of Douris’s Dionysiac Scenes, “Dancing Satyrs and Maenads” Cup (Kylix)

Architect Dom Hans Van Der Laan and His Theories About Architectonic Space:
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This 9 page paper discusses the style of architect Dom Hans Van Der Laan and his ideas about architectonic space. More specifically, this book references his book entitled "Architectonic Space", which addresses this issue. Bibliography lists 1 source.
Filename: GSVanDer.rtf
Paper Title: Architect Dom Hans Van Der Laan and His Theories About Architectonic Space:

Architectural and Spatial Comparisons Found in Rietveld’s “Schroder House”, Katsura Palace, and the Work of Mondrian
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This is a 10 page paper discussing spatial design used by Rietveld, Mondrian and Kobori Enshu. Architect, artist and designer Gerrit Rietveld was part of an art movement in the Netherlands in the 1920s called “De Stijl” (The Style). One of the movement’s co-founders was artist Piet Mondrian, also from the Netherlands, whose work such as “Composition in Red, Yellow and Blue” emphasized the use of universalism, geometric forms and primary colors in addition to black and white in the creation of space. While Mondrian was primarily concerned with how his two-dimensional paintings could expand to include the interior environment which surrounded them within a room, Rietveld took the ideas proposed by the De Stijl movement into the architectural designs of homes. One of the best examples of Rietveld’s designs is found in Schroder House (1924) in Utrecht in which the use of creating space using geometric shapes, planes, primary colors and movement of walls is applied. Rietveld allows for the light from the outside to come into the house adding to the creation of space through the play of light on the walls and floors which have minimal decoration and are sparsely furnished to allow for an expansive creative space. The idea of universalism and geometric space to allow for the creation of space is not unique in architectural design and can be found as far back as the 1600s in Kobori Enshu’s design of the Katsura Palace in Kyoto which applied the creation of space with the tatami module design also using moveable walls and walls which opened to the environment for flexibility in space. Bibliography lists 14 sources.
Filename: TJSchrd1.rtf
Paper Title: Architectural and Spatial Comparisons Found in Rietveld’s “Schroder House”, Katsura Palace, and the Work of Mondrian

Architecture and Affluence
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This 4 page paper examines architecture and affluence but focuses primarily on Cecil Balmond and Louis Kahn. Research is provided to support the assumptions. Bibliography lists 10 sources.
Filename: SA752arc.rtf
Paper Title: Architecture and Affluence

Aristotle & Hume On Ethics
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A 5 page essay that compares and contrasts the positions of Aristotle (384-322 B.C.) in his Nicomachean Ethics and David Hume (1711-1776) in his Enquiry Concerning the Principles of Morals. The writer argues that each of these philosopher present two very different and contrasting views of the foundations for ethical reasoning. No additional sources cited.
Filename: kharihum.rtf
Paper Title: Aristotle & Hume On Ethics

Armando Morales
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This 5 page report discusses the life and work of Nicaraguan-born painter Armando Morales (1927 - ). His paintings have a duplicitous nature to them to the point that one wonders if they are paintings of statues or if they are subjects portrayed as still and stationary as sculpture. Three of his paintings -- Nature morte: Pommes, poires, olives (1984), Oracle sur Managua: Hommage a Ernesto Cardenal (1989), and Trois Baigneuses en se Deshabillant (1994) -- are considered. Bibliography lists 5 sources.
Filename: BWmrales.rtf
Paper Title: Armando Morales

Arnolfini’s Marriage by Jan Van Eyck
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A 6 page paper which examines the historical context and the symbolism of Jan van Eyck’s painting “Arnolfini’s Wedding” (Portrait of Giovanni Arnolfini and his Wife”). Bibliography lists 5 sources.
Filename: RAeyck.rtf
Paper Title: Arnolfini’s Marriage by Jan Van Eyck

Art & Its Depiction of the Human
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5 pages discussing how art intricately depicts the human figure as evidenced by the following works : "David" (Michelangelo), Portrait of Giovanni Anolfini" (John Van Eyck), "David" (Bernini), and "Merode Alterpiece" (Robert Campin). Theme, form, detail, and more are discussed. No Bibliography.
Filename: Arthuman.wps
Paper Title: Art & Its Depiction of the Human

Art / 1300-1700
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An 8 page research paper on the development of artistic techniques between 1300 and 1700 in The Netherlands, Flanders, Rome, Spain, Italy and France. Various artists' works are discussed in terms of evolving techniques, including Da Vinci, Van Eyck, Michelangelo, La Tour, Velazquez, and the Boucicaut Master. Other influences are also presented. Bibliography lists 6 sources.
Filename: 6paint.rtf
Paper Title: Art / 1300-1700


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